{"id":228,"date":"2016-01-15T17:44:14","date_gmt":"2016-01-15T16:44:14","guid":{"rendered":"http:\/\/www.balladine.cz\/?p=228"},"modified":"2016-01-15T17:44:14","modified_gmt":"2016-01-15T16:44:14","slug":"baletni-slovnicek","status":"publish","type":"post","link":"https:\/\/new.balladine.cz\/index.php\/2016\/01\/15\/baletni-slovnicek\/","title":{"rendered":"Baletn\u00ed slovn\u00ed\u010dek"},"content":{"rendered":"

Baletn\u00ed slovn\u00edk, \u010dili terminologie klasick\u00e9ho tance. Kdo m\u00e1 zku\u0161enosti s tancem v\u00ed, \u017ee ka\u017ed\u00fd druh tance pou\u017e\u00edv\u00e1 n\u011bjakou vlastn\u00ed terminologii. Terminologie klasick\u00e9ho baletu n\u00e1m n\u011bkdy m\u016f\u017ee p\u0159ipadat zbyte\u010dn\u011b slo\u017eit\u00e1, ale nen\u00ed tomu tak. Je odvozen\u00e1 p\u0159ev\u00e1\u017en\u011b z francouzsk\u00e9ho jazyka a v\u011bt\u0161ina v\u00fdraz\u016f doslovn\u011b popisuje prov\u00e1d\u011bn\u00fd prvek. To, co n\u00e1m p\u0159ipad\u00e1 jako sice vzne\u0161en\u011b zn\u011bj\u00edc\u00ed, nicm\u00e9n\u011b nesrozumiteln\u00e1 zm\u011b\u0165 zvuk\u016f, je pro Francouze jako by \u0159ekli ‘chlebasm\u00e1slem’. Kr\u00e1sn\u00fdm p\u0159\u00edkladem za v\u0161echny m\u016f\u017ee b\u00fdt Pas de cheval<\/em> <pa-d-\u0161eval>, co\u017e v doslovn\u00e9m p\u0159ekladu znamen\u00e1 “ko\u0148sk\u00fd krok”. P\u0159i tanci pak zjist\u00edte, \u017ee krok opravdu vypad\u00e1 trochu jako kdy\u017e klu\u0161e k\u016f\u0148.<\/p>\n

A<\/span><\/strong><\/em><\/p>\n

Adagio<\/strong><\/em>: <ad\u00e1\u017eo> Term\u00edn odvozen\u00fd od hudebn\u00edho v\u00fdrazu adagio, neboli zvolna, lehce, klidn\u011b. V tanci to znamen\u00e1 velmi pomal\u00e9, ladn\u00e9 pohyby. V\u011bt\u0161inou jde o variaci n\u011bkolika krok\u016f, tan\u010d\u00ed se u ty\u010de i na volnosti.<\/p>\n

Air, en l’<\/strong><\/em>: <\u00e1nl\u00e9r> = ve vzduchu. Kdy\u017e je kro\u010dn\u00e1 noha ve vzduchu.<\/p>\n

Allegro<\/strong><\/em>: Term\u00edn odvozen\u00fd z italsk\u00e9ho hudebn\u00edho term\u00ednu, kter\u00fd znamen\u00e1 rychle, \u017eiv\u011b. Pou\u017e\u00edv\u00e1 se pro \u017eiv\u00e9, svi\u017en\u00e9 pohyby.<\/p>\n

Along\u00e9<\/strong><\/em>: <alon\u017e\u00e9> = nata\u017een\u00fd nebo napnut\u00fd. Specifick\u00fd pohyb ruky i nohy.<\/p>\n

Arabesque<\/strong><\/em>: \u010cesky arabeska. P\u00f3za na jedn\u00e9 noze, kdy druh\u00e1 noha je zano\u017een\u00e1 a tvo\u0159\u00ed s t\u011blem ladnou k\u0159ivku. Existuje n\u011bkolik druh\u016f.<\/p>\n

Arri\u00e9re, en<\/strong><\/em>: <\u00e1nari\u00e9r> = dozadu. Tane\u010dn\u00edk prov\u00e1d\u00ed krok sm\u011brem od publika. Nespecifick\u00fd prvek.<\/p>\n

Assembl\u00e9<\/strong><\/em>: <asampl\u00e9> = spojen\u00fd. Skok, p\u0159i kter\u00e9m se nohy p\u0159ed dopadem do p\u00e1t\u00e9 pozice spoj\u00ed. Specifick\u00fd prvek slo\u017een\u00fd z n\u011bkolika jednodu\u0161\u0161\u00edch prvk\u016f.<\/p>\n

Attitude<\/strong><\/em>: <atyt\u00fdda> P\u00f3za na jedn\u00e9 noze s druhou nohou p\u0159edno\u017eenou nebo zano\u017eenou a pokr\u010denou v koleni. N\u011bkolik druh\u016f.<\/p>\n

Avant, en<\/strong><\/em>: <\u00e1nav\u00e1n> = dop\u0159edu. Tane\u010dn\u00edk prov\u00e1d\u00ed krok sm\u011brem k publiku.<\/p>\n

B<\/strong><\/span><\/em><\/p>\n

Ballerina<\/strong><\/em>: Hlavn\u00ed s\u00f3listka baletn\u00edho souboru. Tento titul b\u00fdv\u00e1 ud\u011blov\u00e1n nejlep\u0161\u00ed s\u00f3listce baletu, kter\u00e1 tan\u010d\u00ed hlavn\u00ed role ve slavn\u00fdch klasick\u00fdch kusech.<\/p>\n

Ballet blanc<\/em><\/strong>: B\u00edl\u00fd balet. Jak\u00fdkoli balet, kde jsou tane\u010dnice oble\u010deny do tradi\u010dn\u00edch dlouh\u00fdch, b\u00edl\u00fdch \u0161at\u016f, navr\u017een\u00fdch pro Marii Taglionovou v roce 1830 pro balet Sylfidy.<\/p>\n

Ballonn\u00e9<\/strong><\/em>: Skok z p\u00e1t\u00e9 pozice, p\u0159i kter\u00e9m tane\u010dn\u00edk dopadne na jednu nohu v demi-pli\u00e9 s kro\u010dnou nohou sur le cou de pied<\/em>.<\/p>\n

Barre, a la<\/strong><\/em>: <alab\u00e1r> = u ty\u010de. Z\u00e1sadn\u00ed \u010d\u00e1st hodiny, kdy se cvi\u010d\u00ed jednotliv\u00e9 prvky u ty\u010de.<\/p>\n

Battemen<\/strong>t<\/strong>:<\/em> <batm\u00e1n> = \u00fader. Vysunut\u00ed a nata\u017een\u00ed kro\u010dn\u00e9 nohy. Obecn\u00fd term\u00edn pro mnoho druh\u016f pohyb\u016f (n\u011bkter\u00e9 popsan\u00e9 n\u00ed\u017ee).<\/p>\n

Battement fondu<\/strong><\/em>: <batm\u00e1n fondy> Plynul\u00fd, vl\u00e1\u010dn\u00fd pohyb. Pohyb vyto\u010den\u00e9 nohy veden\u00fd p\u0159es cou de pied<\/em> do propnut\u00ed v \u00fahlu 45\u00b0 nad zem\u00ed.<\/p>\n

Battement frapp\u00e9<\/strong><\/em>: Energick\u00fd, kr\u00e1tk\u00fd a rychl\u00fd pohyb kro\u010dnou nohou z cou de pied<\/em> do n\u00edzk\u00e9ho nata\u017een\u00ed dop\u0159edu, do strany nebo dozadu.<\/p>\n

Battement tendu<\/strong><\/em>: <batm\u00e1n t\u00e1ndy> Pohyb, p\u0159i kter\u00e9m se kro\u010dn\u00e1 noha napne rovnob\u011b\u017en\u011b s podlahou.<\/p>\n

Battement tendu jet\u00e9<\/strong><\/em>: <batm\u00e1n t\u00e1ndy \u017eet\u00e9> Jako battement tendu<\/em>, kro\u010dn\u00e1 noha se zvedne do vzduchu pod \u00fahlem 45\u00b0.<\/p>\n

Batterie<\/strong><\/em>: <bater\u00ed> \u00dader. Pohyb, p\u0159i kter\u00e9m o sebe nohy ve vzduchu ude\u0159\u00ed. Existuje mno\u017estv\u00ed druh\u016f. Sp\u00ed\u0161e mu\u017esk\u00fd prvek.<\/p>\n

Bras<\/strong><\/em>: <br\u00e1> = pa\u017ee.<\/p>\n

C<\/strong><\/span><\/em><\/p>\n

Changement de pieds<\/strong><\/em>: <\u0161an\u017em\u00e1n-d-pie> V\u00fdm\u011bna nohou. Mal\u00fd nebo velk\u00fd skok, p\u0159i kter\u00e9m se ve vzduchu zm\u011bn\u00ed pozice nohou.<\/p>\n

Cou de pied<\/strong><\/em>: <ku-d-pie> = doslova krk chodidla. Pozice kro\u010dn\u00e9 nohy na kotn\u00edku nebo kolem kotn\u00edku stojn\u00e9 nohy.<\/p>\n

Crois\u00e9<\/strong><\/em>: <kroaz\u00e9> = zk\u0159\u00ed\u017een\u00fd. Pozice, kdy trup je m\u00edrn\u011b oto\u010den a linie nohou se publiku jev\u00ed p\u0159ek\u0159\u00ed\u017een\u00e1. Trup je oto\u010den do bodu 2 nebo 8, hlava do publika (viz \u010dl\u00e1nek Z\u00e1klady – Orientace v s\u00e1le<\/a>).<\/p>\n

D<\/strong><\/span><\/em><\/p>\n

Dedans, en<\/strong><\/em>: <\u00e1nded\u00e1n> = dovnit\u0159. Pohyb, krok nebo obrat t\u011bla sm\u011brem ke stojn\u00e9 noze.<\/p>\n

D\u00e9gag\u00e9<\/strong><\/em>: <dega\u017e\u00e9> = uvoln\u011bn\u00fd. Chodidlo v otev\u0159en\u00e9 pozici s ohnut\u00fdm n\u00e1rtem.<\/p>\n

Dehors, en<\/strong><\/em>: <\u00e1nde\u00f3r> = ven. Pohyb, krok nebo obrat t\u011bla sm\u011b\u0159uje od stojn\u00e9 nohy.<\/p>\n

Demi-pli\u00e9<\/strong><\/em>: = polod\u0159ep. Pozice s nap\u016fl pokr\u010den\u00fdmi koleny.<\/p>\n

Demi-pointes<\/strong><\/em>: <demi po\u00e1nt> = polo\u0161pi\u010dky. Tane\u010dnice stoj\u00ed na b\u0159\u00ed\u0161c\u00edch pod prsty.<\/p>\n

Derri\u00e9re<\/strong><\/em>: <deri\u00e9r> = za. Pohyb, krok nebo um\u00edst\u011bn\u00ed pa\u017ee nebo nohy za t\u011blo.<\/p>\n

Devant<\/strong><\/em>: <dev\u00e1n> = p\u0159ed. Pohyb, krok nebo um\u00edst\u011bn\u00ed pa\u017ee nebo nohy p\u0159ed t\u011blo.<\/p>\n

D\u00e9velopp\u00e9<\/strong><\/em>: <develop\u00e9> = rozvinut\u00fd. Pohyb vyto\u010den\u00e9 nohy veden\u00fd p\u0159es cou de pied<\/em> nahoru a\u017e do propnut\u00ed a tak vysoko, jak to dovol\u00ed rozsah tane\u010dnice.<\/p>\n

E<\/strong><\/span><\/em><\/p>\n

Ecart\u00e9<\/strong><\/em>: Odd\u011blit nebo odhodit stranou. Jedna ze z\u00e1kladn\u00edch p\u00f3z, kdy nohy tane\u010dn\u00edka jsou ve druh\u00e9 pozici, ale trup je \u00fahlop\u0159\u00ed\u010dn\u011b k publiku. Podrobn\u011b pops\u00e1na zde v \u010dl\u00e1nku o z\u00e1kladn\u00edch pozic\u00edch.<\/p>\n

Echapp\u00e9e<\/strong><\/em>: <e\u0161ap\u00e9> \u00danik. Pohyb, p\u0159i kter\u00e9m se ob\u011b nohy sou\u010dasn\u011b na zemi nebo ve vzduchu p\u0159em\u00edst\u00ed do otev\u0159en\u00e9 pozice. Pou\u017e\u00edv\u00e1 se ve spojen\u00ed s changement<\/em>.<\/p>\n

Effac\u00e9<\/strong>: <efas\u00e9> P\u00f3za, kdy trup je m\u00edrn\u011b oto\u010den\u00fd a linie nohou je otev\u0159en\u00e1 sm\u011brem k publiku. Trup je oto\u010den do bodu 2 nebo 8, hlava do publika (viz \u010dl\u00e1nek Z\u00e1klady – Orientace v s\u00e1le<\/a>).<\/p>\n

F<\/strong><\/em><\/span><\/p>\n

Face, en<\/strong><\/em>: <\u00e1nfas> Tane\u010dn\u00edk je cel\u00fdm t\u011blem oto\u010den p\u0159\u00edmo do publika, p\u0159\u00edpadn\u011b k zrcadlu.<\/p>\n

Ferm\u00e9<\/strong>: = zav\u0159en\u00fd. Chodidla jsou v zav\u0159en\u00e9 pozici.<\/p>\n

G<\/strong><\/em><\/span><\/p>\n

Glissade<\/strong><\/em>: <glisad> Krok vych\u00e1zej\u00edc\u00ed z demi-pli\u00e9<\/em> v p\u00e1t\u00e9 pozici (viz \u010dl\u00e1nky Z\u00e1kladn\u00ed pozice rukou<\/a>, Z\u00e1kladn\u00ed pozice nohou<\/a>), p\u0159es relev\u00e9<\/em> v druh\u00e9 pozici zp\u011bt do p\u00e1t\u00e9 pozice. P\u0159enesen\u00ed v\u00e1hy z jedn\u00e9 nohy na druhou.<\/p>\n

Grand<\/strong><\/em>: <gr\u00e1n> = velk\u00fd. Nap\u0159\u00edklad grand battement<\/em>, grand jet\u00e9<\/em>.<\/p>\n

Grand battement<\/strong><\/em>: Energick\u00fd pohyb nohou p\u0159es battement tendu<\/em> do v\u00fd\u0161ky a\u017e kam dovol\u00ed rozsah tane\u010dnice. Intenzivn\u00ed prota\u017een\u00ed cel\u00e9 nohy.<\/p>\n

Grand jet\u00e9<\/strong><\/em>: <gr\u00e1n \u017eet\u00e9> Velk\u00fd skok z jedn\u00e9 nohy na druhou, nohy jsou napnut\u00e9, ve vzduchu se p\u0159ek\u0159\u00ed\u017e\u00ed a cel\u00fd trup se ve v\u00fdskoku oto\u010d\u00ed o 180\u00b0. Vrcholn\u00fd skok.<\/p>\n

Grand pli\u00e9<\/strong><\/em>: Pozice s pln\u011b pokr\u010den\u00fdmi koleny.<\/p>\n

J<\/strong><\/em><\/span><\/p>\n

Jambe<\/strong><\/em>: <\u017e\u00e1mb> = noha.<\/p>\n

Jet\u00e9<\/strong><\/em>: <\u017eet\u00e9> = hozen\u00fd. Nap\u0159\u00edklad p\u0159i battement jet\u00e9.<\/p>\n

K<\/strong><\/em><\/span><\/p>\n

Klasick\u00fd balet<\/strong><\/em>: Tradi\u010dn\u00ed baletn\u00ed technika. Tak\u00e9 balet druh\u00e9 poloviny 19. stolet\u00ed, z n\u011bho\u017e se tradi\u010dn\u00ed technika vyvinula.<\/p>\n

M<\/strong><\/span><\/em><\/p>\n

Millieu, au<\/em><\/strong>: <o-mili\u00e9> = na volnosti. Cvi\u010den\u00ed ve voln\u00e9m prostoru s\u00e1lu bez opory ty\u010de.<\/p>\n

Modern\u00ed balet<\/strong><\/em>: Baletn\u00ed styl, kter\u00fd vznikl ve 20. slotet\u00ed a d\u00e1le se rozv\u00edj\u00ed. Vyvinul se v Contemporary, tedy sou\u010dasn\u00fd balet. Voln\u011bj\u0161\u00ed technika ne\u017e v klasick\u00e9m baletu, z\u00e1m\u011brem je vyj\u00e1d\u0159en\u00ed individu\u00e1ln\u00edch emoc\u00ed.<\/p>\n

O<\/strong><\/em><\/span><\/p>\n

Osa<\/strong><\/em>: Pomysln\u00e1 \u010d\u00e1ra proch\u00e1zej\u00edc\u00ed t\u011blem od vrcholku hlavy po chodila, kter\u00e1 tane\u010dnici v ka\u017ed\u00e9 p\u00f3ze pom\u00e1h\u00e1 dr\u017eet rovnov\u00e1hu. D\u016fle\u017eit\u00e1 pro spr\u00e1vn\u00e9 dr\u017een\u00ed t\u011bla.<\/p>\n

Oto\u010dka<\/strong><\/em>: Charakteristick\u00fd pohyb hlavy p\u0159i piruet\u00e1ch a jin\u00fdch to\u010div\u00fdch pohybech. D\u016fle\u017eit\u00fd prvek, kter\u00fd pom\u00e1h\u00e1 tane\u010dnici dr\u017eet rovnov\u00e1hu. Spo\u010d\u00edv\u00e1 v tom, \u017ee si tane\u010dnice najde pevn\u00fd bod v s\u00e1le, na kter\u00fd se st\u00e1le d\u00edv\u00e1 p\u0159i ot\u00e1\u010den\u00ed a t\u00edm udr\u017euje spr\u00e1vnou polohu t\u011bla.<\/p>\n

Ouvert<\/strong><\/em>: Otev\u0159en\u00fd. Nohy jsou v otev\u0159en\u00e9 pozici k publiku.<\/p>\n

P<\/strong><\/em><\/span><\/p>\n

Parterre<\/strong><\/em>: <p\u00e1rt\u00e9r> = na zemi. Nap\u0159\u00edklad v rond de jambe parterre<\/em>.<\/p>\n

Pas<\/strong><\/em>: <pa> = doslova krok. Nap\u0159\u00edklad pas de chat<\/em>.<\/p>\n

Pas de bour\u00e9e<\/strong><\/em>: Krok z Bourr\u00e9e. Bourr\u00e9e je barokn\u00ed francouzsk\u00fd tanec, kter\u00fd se stal sou\u010d\u00e1st\u00ed klasick\u00e9ho baletu. M\u00e1 \u0159adu forem, ale v\u0161echny zahrnuj\u00ed n\u011bkolik p\u0159ekro\u010den\u00ed z jedn\u00e9 nohy na druhou.<\/p>\n

Pas de chat<\/strong><\/em>: <pa-d-\u0161a> = ko\u010di\u010d\u00ed krok. Sko\u010dn\u00fd krok do stran, r\u016fzn\u00e9 variace skoku p\u0159ipom\u00ednaj\u00edc\u00edho ko\u010di\u010d\u00ed krok.<\/p>\n

Pas de cheval<\/strong><\/em>: <pa-d-\u0161eval> = ko\u0148sk\u00fd krok. Sko\u010dn\u00fd krok vp\u0159ed, p\u0159ipom\u00edn\u00e1 ko\u0148sk\u00fd klus.<\/p>\n

Pas de deux<\/strong><\/em>: <pa-d-d\u00f6> Tanec pro dvojici mu\u017e-\u017eena. Je sou\u010d\u00e1st\u00ed \u010di vrcholn\u00fdm \u010d\u00edslem mnoha klasick\u00fdch balet\u016f.<\/p>\n

Petit<\/strong><\/em>: <pti> = mal\u00fd. Nap\u0159\u00edklad petit battement<\/em>.<\/p>\n

Petit battement<\/strong><\/em>: <pti batm\u00e1n> Rychl\u00fd, drobn\u00fd \u00fader kro\u010dn\u00e9 nohy p\u0159ed nebo za stojnou nohou v poloze cou de pied<\/em>., noha je vyto\u010den\u00e1 a pohybuje se pouze od kolene dol\u016f.<\/p>\n

Pied<\/strong><\/em>: <pie> = chodidlo.<\/p>\n

Pirueta<\/strong><\/em>: Zp\u016fsob ot\u00e1\u010den\u00ed na jedn\u00e9 noze. Pokro\u010dil\u00fd prvek.<\/p>\n

Pi\u0161koty<\/em><\/strong>: M\u011bkk\u00e1 tane\u010dn\u00ed obuv. Vyr\u00e1b\u00ed se v mnoha proveden\u00edch, nejobl\u00edben\u011bj\u0161\u00ed jsou ko\u017een\u00e9 nebo sat\u00e9nov\u00e9 v barv\u00e1ch lososov\u00e1, \u010dern\u00e1, b\u00edl\u00e1.<\/p>\n

Pli\u00e9<\/strong><\/em>: = pokr\u010den\u00ed. Pokr\u010den\u00ed jednoho nebo obou kolen.<\/p>\n

Port de bras<\/strong><\/em>: <p\u00f3r-d-br\u00e1> Pr\u00e1ce pa\u017e\u00ed. Viz \u010dl\u00e1nek Z\u00e1klady – pozice rukou.<\/p>\n

Pointe, en<\/strong><\/em>: <\u00e1npo\u00e1n> Na \u0161pi\u010dk\u00e1ch. Vy\u0161vihnut\u00ed t\u011bla na \u0161pi\u010dky prst\u016f. Tanec na \u0161pi\u010dk\u00e1ch je vrcholnou formou baletu. Je fyzicky velmi n\u00e1ro\u010dn\u00fd, vy\u017eaduje n\u011bkolikaletou p\u0159\u00edpravu. Viz \u0161pi\u010dkovky<\/em>.<\/p>\n

P\u00f3za<\/strong><\/em>: Statick\u00e1 pozice klasick\u00e9ho baletu. P\u0159esn\u011b definovan\u00e9 um\u00edst\u011bn\u00ed ka\u017ed\u00e9 \u010d\u00e1sti t\u011bla. Nap\u0159\u00edklad arabesque, attitude.<\/em><\/p>\n

Preparace<\/strong><\/em>: P\u0159\u00edprava. Pohyb, kter\u00fdm se tane\u010dn\u00edk p\u0159ipravuje na tanec. Podle povahy n\u00e1sledn\u00e9ho prvku pohyb rukou, n\u011bkdy rukou i nohou, na dv\u011b nebo \u010dty\u0159i hudebn\u00ed doby.<\/p>\n

R<\/strong><\/em><\/span><\/p>\n

Relev\u00e9<\/strong><\/em>: = zvednut\u00fd. Pohyb, kter\u00fdm se t\u011blo zved\u00e1 na \u0161pi\u010dky nebo polo\u0161pi\u010dky.<\/p>\n

R\u00e9v\u00e9rence<\/strong>: <rever\u00e1ns> = \u00faklona. \u00daklona nebo poklona na konci hodiny nebo p\u0159edstaven\u00ed. Voln\u00e9 tempo, d\u016fle\u017eit\u00e1 je graci\u00e9znost pohybu.<\/p>\n

Romantick\u00fd balet<\/strong><\/em>: Baletn\u00ed styl obdob\u00ed romantismu z prvn\u00ed poloviny 19. stoleti.<\/p>\n

Rond de Jambe<\/strong><\/em>: <r\u00f3n-d-\u017e\u00e1mb> Kruh opsan\u00fd nohou. Kruhov\u00fd pohyb nohou. Pohyb vych\u00e1z\u00ed z ky\u010dle, noha je propnut\u00e1, horn\u00ed polovina t\u011bla se neh\u00fdbe.\u00a0 Varianty parterre (= na zemi), en l’air (= ve vzduchu.<\/p>\n

S<\/strong><\/em><\/span><\/p>\n

Saut\u00e9<\/strong><\/em>: <sot\u00e9> Sko\u010den\u00fd. Pohyb je proveden jako skok, nap\u0159iklad \u00e9chapp\u00e9e saut\u00e9e<\/p>\n

Seconde, \u00e1 la<\/strong><\/em>: <alasek\u00f3nd> = do druh\u00e9. Je li noha (na zemi nebo ve vzduchu) \u010di ruka ve druh\u00e9 pozici.<\/p>\n

Sissone simple<\/strong><\/em>: <sis\u00f3n s\u00e9mpl> Skok z obou nohou s dopadem do cou de pied devant<\/em> nebo derri\u00e9re<\/em>.<\/p>\n

S\u00f3lista<\/strong><\/em>: Tane\u010dn\u00edk, kter\u00fd tan\u010d\u00ed s\u00e1m. V jednom souboru i n\u011bkolik, vyb\u00edr\u00e1ni ti nejlep\u0161\u00ed.<\/p>\n

\u0160
\n<\/strong><\/em><\/span><\/p>\n

\u0160pi\u010dkovky<\/strong>:<\/em> Tane\u010dn\u00ed obuv charakteristick\u00e1 pro klasick\u00fd balet. Vyzna\u010duje se tvrdou \u0161pi\u010dkou, d\u00edky kter\u00e9 tane\u010dnice m\u016f\u017ee st\u00e1t ‘na palc\u00edch’ nohou. Pou\u017e\u00edvaj\u00ed je pouze \u017eeny.
\n<\/strong><\/strong><\/em><\/span><\/p>\n

<\/strong>T<\/strong><\/em><\/span><\/p>\n

Temps lev\u00e9<\/strong><\/em>: <t\u00e1mp lev\u00e9> Vy\u0161vihnut\u00ed. Poskok na jedn\u00e9 noze.<\/p>\n

Tendu<\/strong>: <t\u00e1ndy> = nata\u017een\u00fd. Nap\u0159\u00edklad p\u0159i battement tendu<\/em>.<\/p>\n

Tour en l’air<\/strong><\/em>: <t\u00far-\u00e1nl\u00e9r> Oto\u010den\u00ed ve vzduchu.<\/p>\n

V<\/strong><\/em><\/span><\/p>\n

Vyto\u010den\u00ed<\/strong><\/em>: Zp\u016fsob vyto\u010den\u00ed nohou z ky\u010deln\u00edch kloub\u016f, kter\u00e9 poskytuje dostatek prostoru pro kroky klasick\u00e9ho baletu. Do velk\u00e9 m\u00edry se d\u00e1 nacvi\u010dit, je v\u0161ak tak\u00e9 odvisl\u00e9 od individu\u00e1ln\u00edch dispozic tane\u010dn\u00edka. M\u016f\u017eete zn\u00e1t z angli\u010dtiny jako “turnout”.<\/p>\n","protected":false},"excerpt":{"rendered":"

Baletn\u00ed slovn\u00edk, \u010dili terminologie klasick\u00e9ho tance. Kdo m\u00e1 zku\u0161enosti s tancem v\u00ed, \u017ee ka\u017ed\u00fd druh tance pou\u017e\u00edv\u00e1 n\u011bjakou vlastn\u00ed terminologii. Terminologie klasick\u00e9ho baletu n\u00e1m n\u011bkdy m\u016f\u017ee p\u0159ipadat zbyte\u010dn\u011b slo\u017eit\u00e1, ale nen\u00ed tomu tak. Je odvozen\u00e1 p\u0159ev\u00e1\u017en\u011b z francouzsk\u00e9ho jazyka a v\u011bt\u0161ina v\u00fdraz\u016f doslovn\u011b popisuje prov\u00e1d\u011bn\u00fd prvek.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[3],"tags":[24,56],"class_list":["post-228","post","type-post","status-publish","format-standard","hentry","category-baletni-slovnicek","tag-balet","tag-terminologie"],"_links":{"self":[{"href":"https:\/\/new.balladine.cz\/index.php\/wp-json\/wp\/v2\/posts\/228","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/new.balladine.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/new.balladine.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/new.balladine.cz\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/new.balladine.cz\/index.php\/wp-json\/wp\/v2\/comments?post=228"}],"version-history":[{"count":0,"href":"https:\/\/new.balladine.cz\/index.php\/wp-json\/wp\/v2\/posts\/228\/revisions"}],"wp:attachment":[{"href":"https:\/\/new.balladine.cz\/index.php\/wp-json\/wp\/v2\/media?parent=228"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/new.balladine.cz\/index.php\/wp-json\/wp\/v2\/categories?post=228"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/new.balladine.cz\/index.php\/wp-json\/wp\/v2\/tags?post=228"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}